Category: WordPress

  • The forbidden forest of the Dayak – Borneo, Indonesia

    The forbidden forest of the Dayak – Borneo, Indonesia


    Deep in the remaining old growth forests of Borneo, the Setulang Dayak village guards its forest with deep commitment. To date, the village’s traditional law of Tana Olen (forbidden forest), withstands increasing pressure from encroaching logging industries. Now as rapid development rolls in, the village is trying to secure sustainable and forest-friendly future, including a eco-tourism venture and carbon credits.

    Featuring Pah Kole Adjung
    Co-director/Camera/Editor: Luis Patron
    Co-director/Producer/Editor: Citt Williams
    Associate Producers: Setulang Village Forest Management Board
    Graphics: David Jimenez
    Sound Mixer: Tfer Newsome

    Shot on location in East Kalimantan, Borneo, Indonesia
    Duration 9:05 minutes

    Developed and produced for United Nations University (UNU) by UNU Media Studio & Setulang Village Forest Management Board, in association with UNU-IAS Traditional knowledge Initiative and The Christensen Fund.

    Further information for this film can be found at film’s website: http://ourworld.unu.edu/en/forbidden-forest-of-the-dayak/

    United Nations University has published this work under a Creative Commons license – share alike, attribution, no derivatives, non-commercial

    *About this Project*
    Collaboratively made with Indigenous storytellers, these videobriefs are told in local languages, respect Intellectual Property rights and provide storytellers with media training, resources and a fair media engagement model for future projects. The final videos played alongside other international climate change videos at a locally coordinated forum event, in April 2009’s Indigenous Peoples Climate Change Summit and later at a special screening at the National Museum of Denmark during the Copenhagen COP15 meeting.

    *About the filmmakers*
    Luis Patron- Co-director/Camera/Editor
    Luis Patron works as an independent documentary filmmaker, producer, HD cinematographer and editor. He teams up with talented local professionals in Japan and around the world to craft factual films for cinema and television.

    Citt Williams- Co-director/Producer/Editor
    Citt is a documentary filmmaker at the UNU Media Studio with over 12 years producing experience in broadcast media. Citt’s produced documentary films have been screened at festivals including Cannes (Yellow Fella), Sundance, Mumbai, Melbourne and by broadcasters including the Australian Broadcasting Corporation, Discovery and National Geographic. She has a Masters degree in documentary from the Australian Film Television and Radio School (Sydney) and a Business degree in Film and TV Production from QUT (Brisbane). Within UNU, her unit “Media Studio” (MS) has grounded expertise in online learning, interactive media and video production and in linking development issues with visual media and online content on social and environmental issues. Her role in the UNU-IAS Traditional Knowledge Initiative seeks to build greater understanding and facilitate awareness of traditional knowledge (TK) to inform action by Indigenous peoples, local communities and domestic and international policy makers. Key outputs include research activities, policy studies, capacity development and online learning and dissemination.

    Setulang Village Forest Management Board
    The village of Setulang in the Malinau District of Kalimantan is exceptionally committed to conserving their forest. There are, however, tenure disputes between Setulang and neighbouring villages who have brokered deals with logging companies. Yet, Setulang’s commitment has piqued the conservation interests of neighbouring villages. Setulang is interested in marshalling support for the continued conservation of the Setulang forest area. General goals and specific objectives: (1) implementing conservation activities in the Setulang forest area and (2) working with neighbouring villages to resolve tenure disputes the area of conserved forest and better ensure its integrity, sustainability and management. IUCN projects have provided support to three villages for forest custodianship conflict-resolution, training in livelihood options for the benefit of forest conservation, and help local villagers to communicate with local government over forest management.

    United Nations University Media Studio
    The UNU Media Studio was established in March 2003 and works in collaboration with a global network of partners to develop and share open educational resources. Through a small team based in Tokyo, the UNU promotes innovation in the building of interactive content and video documentaries that engage, entertain and educate. The core creative team is comprised of specialists in web and graphic design, documentary and multimedia production, as well as educational technology and instructional design. In developing projects, this team collaborates with subject matter experts from within the UNU, from other UN bodies and from partner universities. The UNU Media Studio also collaborates with independent professionals in the area of documentary production, web application development, web design and instructional design. mediastudio.unu.edu

    United Nations University Institute of Advanced Studies – Traditional Knowledge Inititaive
    The UNU-IAS Traditional Knowledge Initiative seeks to build greater understanding and facilitate awareness of traditional knowledge (TK) to inform action by indigenous peoples, local communities and domestic and international policy makers. Key outputs include research activities, policy studies, capacity development and online learning and dissemination. unutki.org

    For more information:
    Our World 2.0 ourworld.unu.edu and UNU IAS-TKI unutki.org

    See related article at Our World 2.0: http://ourworld.unu.edu/en/forbidden-forest-of-the-dayak/
    Also:
    unutki.org/news.php?news_id=51&doc_id=7

    A high resolution version of this video, and additional langauge subtitles are available. Please contact us for details:
    Media Studio
    53-70 Jingumae 5-chome Shibuya-ku
    Tokyo JAPAN 150-8925
    Ph: +813 5467 1324
    onlinelearning@unu.edu

  • Lifeforce/ASD – Slitscan remix

    Lifeforce/ASD – Slitscan remix


    This is a ‘remix’ of sorts of the awesomely good Lifeforce demo by Andromeda Software Development (you can find it here: http://www.pouet.net/prod.php?which=31571 )

    I made a basic slitscanner, and changed it a bit to produce video. I store the last 640 frames, and take a 1 pixel slice from each frame. These are then placed along the x axis to produce an image. Each frame, a new frame is added to the queue, shifting the queue back, and the position on x of the slice is also shifted by one pixel. I hope that makes some kind of sense, it doesn’t make much to me 🙂

    It’s pretty much inspired by all the other slit scanner stuff out there, but particularly the one that produced this video: http://www.vimeo.com/1398634 The method is the same, but I added movement on x to create more motion.

    Sorry about the ‘cutting’ every few seconds – when the slice reaches the far right of the image it cuts back to the left, causing a jump. I’ll change it to sweep back to the left instead some time.

    I think there’s a bug somewhere too, as the resolution looks lower than it should. I’ll fix these things then release it as a .qtz file or perhaps a tool.

    Oh, and it’s slow. Like 8 seconds per frame slow. .75gb of texture data per frame, plus QC’s iterator = pain!

  • Arduino Motion Control

    Arduino Motion Control


    Arduino Motion Control
    A project by Frederic K. Macchi
    5th semester Screen-/Webdesign, Freie Hochschule Freiburg

    DEVELOPMENT, CONSTRUCTION, PROGRAMMING
    Frederic K. Macchi

    FACTS
    1 Arduino UNO
    1 EasyDriver Motor Shield
    1 16×2 liquid crystal display
    1 mm precision
    3 kg maximum load
    7 kB of code (200 lines)
    12 kg of aluminium
    20 hours of planning and prototyping
    40 hours of construction and programming
    1140 mm travelling distance
    1500 mm overall length

    CONTENT
    Andreas Böhler and Anja Hartig, two fellow students and I, are currently working on ‘A Game of Choices’, an interactive claymation flash-game. We built different clay-sets, that the stop motion animated character will later walk through. In order to achieve a smooth walk-through experience, we photographed the 100 cm wide set in 200 highly precise steps. When it comes to precision photography, one can find dozens of systems available. However, professional systems are expensive and therefore out of reach for this project.

    As I had recently begun playing with the open-source hardware-platform Arduino, I decided to take it a step further and build a single axis motion control myself. The basic configuration was quickly developed and assembled, however, it presented some severe issues. For example, the shafts were too weak to handle heavy lenses, as the platform would lean to one side. I had to reinforce the system with a second set of shafts that now allows it to handle up to 3 kg of mounted weight.

    Another problem arose while testing the system: The rotation of the threaded spindle was unbalanced. As I didn’t have access to a CNC machine at that time, the multiple minor inaccuracies in various parts added up to an unbalanced rotation so I had to apply a workaround by letting the flange nut translate vertically. It may look odd, but the horizontal precision is not noticeably affected. Programming the Arduino board is easy when you’re familiar with a programming language like C, PHP, Python or similar.

    If you don’t have great knowledge about electronics, you might want to look into some basics or you’re most probably going to blow up some chips and LEDs – at least that’s what I did… After all, this project was fun and very interesting as it was my first step into the world of physical computing. The possibilities are exciting and I can’t wait to start my next Arduino project – right now, I’m just spoiled for choice.

  • MauiSails TR-6 rigging guide

    MauiSails TR-6 rigging guide


    Phil McGain will guide you though the process of correct rigging and tuning MauiSails TR-6 race sail.

    TR-6 is the perfect evolution of easy to manage power and acceleration, comfortable handling, and impressive speed. World Championship results in Formula, and Pro Slalom and Speed wins are in the lineage of the TR design catalogue, and the feedback and observations of the competitors who test and perform with them provides the foundation of the development. Each year there is a search for the elusive ideal, and the TR-6 is our statement.

    Find out more about the sail at http://www.mauisails.com/sail.php?id=79

  • How to create a test user for Facebook developers app review submission?

    How to create a test user for Facebook developers app review submission?

    This video contains information about how to create a test user for your Facebook app, to help reviewers better understand your Facebook app’s purpose.

    ▶Portfolio – https://1.envato.market/coderevolution
    ▶DONT CLICK THIS – https://www.youtube.com/channel/UCVLIksvzyk-D_oEdHab2Lgg?sub_confirmation=1

  • Rocket’s Red Glare at IDEAS (2015)

    Rocket’s Red Glare at IDEAS (2015)


    “Rocket’s Red Glare” (Things Exploding on YouTube) at IDEAS – Qualcomm Institute, UC San Diego. Debut (beta) performance for the Percussive Image Gesture System (PIGS), an experimental software/hardware visual instrument under ongoing development designed for spontaneous, gestural cinematic performance. iPads, a Leap Motion, and MIDI drums are used to improvise visuals live in performance. Curt Miller’s audio improvisation combines live clarinet and audio sampled from the video clips.

    Performed by Amy Alexander (visuals, silent percussion) and Curt Miller (clarinet, computer audio)
    http://amy-alexander.com
    http://curtdmiller.com

    More info:
    http://amy-alexander.com/live-performance/pigs.html
    http://calit2.net/events/popup.php?id=2544

  • Musique & Cinéma

    Musique & Cinéma


    Designed for all audiences, moviegoers and music lovers, the exhibition “Musique et cinéma, le mariage du siècle ?” is an opportunity to dive into the making of major films that changed the history of cinema, enhancing the role of music in their development.

    For this exhibition, we’ve designed a video installation and three interactive modules offering visitors a sensible and pedagogical approach of music in cinema.

    Destinée à tous les publics, aux cinéphiles comme aux mélomanes, l’exposition « Musique et cinéma, le mariage du siècle ? » est l’occasion de se plonger dans les coulisses de la fabrication des grands films qui ont marqué l’histoire du cinéma, en rendant perceptible le rôle de la musique dans leur élaboration.

    Pour cette exposition, nous avons réalisé une installation vidéo et trois modules interactifs qui offrent aux visiteurs une approche sensible et pédagogique de la musique au cinéma.

    http://www.buzzinglight.com/project.php?projet=28

  • Lacrimosa – Gothic Metal ( Biography )

    Lacrimosa – Gothic Metal ( Biography )


    http://www.lacrimosa.ch/cms/front_content.php?idcat=75&lang=1 …. Website

    Biography – Sources of Information :
    …………………………………..
    Lacrimosa Official Homepage – ( Biography )
    ……………………………………………………….
    http://www.lacrimosa.ch/cms/front_content.php?changelang=2&idart=376

    LACRIMOSA – was established in November 1990 as an alternative band featuring rock music with poetrical lyrics, mixed with classical influences. Since over 20 years now the band releases their music through their own record label HALL OF SERMON. LACRIMOSA became a pioneer for several music styles, such as German Alternative and Symphonic-Metal!

    Lacrimosa (band) – Wikipedia
    ———————— ————–
    http://en.wikipedia.org/wiki/Lacrimosa_%28band%29

    Lacrimosa is a gothic duo led by German Tilo Wolff, the main composer, and Finnish Anne Nurmi, currently based in Switzerland, but originally from Germany. Originally counted among the bands of the Neue Deutsche Todeskunst genre, Lacrimosa have developed their style more towards powerful metal, but Gothic elements still remain.

    Their current musical style mixes gothic rock and heavy metal along with violin, trumpet and more classical instruments, although their musical development throughout the years has also led to changes in instrumentation. Lacrimosa’s lyrics are written almost exclusively in German, although since the 1995 album Inferno every album has featured one or two songs in English, generally written by Anne Nurmi. Finnish has also appeared in the spoken intro to two songs (“Schakal” on Inferno and “The Turning Point” on Elodia) and on a bonus track in a limited edition release of Fassade called Vankina. Their lyrics are mainly about loneliness, sadness, darkness, despair and love.

    Musical and thematic development
    ———————————————–
    for more details

    http://en.wikipedia.org/wiki/Lacrimosa_%28band%29#Musical_and_thematic_development

    Castellano:
    —————
    Lacrimosa es una banda formada en Alemania fundada por Tilo Wolff . Mezclan estilos musicales tales como elementos del metal gótico, neoclásico, sinfónico, violines, trompetas y otros instrumentos clásicos. Sus letras están escritas principalmente en alemán, aunque algunos de sus álbumes tienen contenido en inglés, español, ruso, latín y finés. Sus canciones versan sobre la soledad, la analogía del hombre con el autómata, la tristeza, la oscuridad, la desesperación, la felicidad, la esperanza, la desesperanza, la muerte y el amor.

    Significado de Lacrimosa:
    ………………………………………..
    La palabra Lacrimosa proviene del latín, y significa: “Lágrimas fluyendo”.

    Tilo Wolff escogió esta palabra pasara darle nombre a la agrupación al escuchar el Réquiem en re menor o misa de difuntos (para ser más precisos de la sexta etapa del tercer movimiento) de Wolfgang Amadeus Mozart quien es para Tilo una de sus mayores influencias.

    Historia:
    ……………
    Ver aquí su biografía de forma mas extensa y detallada
    http://gothic.over-blog.es/article-historia-ybiografia-de-lacrimosa-37588387.html ….

    Desarrollo Temático y Musical:
    ——————————————
    Para mas información:
    http://es.wikipedia.org/wiki/Lacrimosa_%28banda%29#Desarrollo_Tem.C3.A1tico_y_Musical

    Espero disfruten el vídeo …. este vídeo solo es para informar ….. paz y larga vida al Metal …. 🙂

  • Epic GameJam March 2016: Rockety Sky Man

    Epic GameJam March 2016: Rockety Sky Man


    Here’s our submission for Epic GameJam of March 2016. Rockety Sky Man! 3 days of development. Designed for mobile touch controls.
    Original forum post can be found here: https://forums.unrealengine.com/showthread.php?103588-March-UE4JAM-Submission-Thread&p=492652&viewfull=1#post492652